Recently we were commissioned to do a design-build facade installation for Peter G.-Ray’s 2009 ‘Nothing to Fear’ painting exhibition at the Bridge Gallery on the Lower East Side of Manhattan. Two years earlier we debuted his work in the U.S. at AxD Gallery with a solo show entitled ‘CUT’. For that exhibition we built rolled aluminum panels on the exterior of our gallery, creating the appearance of their being cut and peeled away.
Views of finished window at Bridge Gallery, and the painting "Cut" by Peter G.-Ray, displaying similarly hand-rolled aluminum panels.
The designs for both gallery fronts flowed as fairly direct extensions of the artist’s interests in concealing, cutting, peeling and revealing. In his work, openings, whether rendered physically in cut materials or graphically with painted surfaces, are invitations for engagement. Simply put, Peter’s work invites curiosity. As art critic Ken Moffett has noted: “G.-Ray has combined the hallucinatory surrealism of Dali with the vigor and freedom of Jackson Pollock, metamorphosing these into something startlingly new. He hungers to unite extremes: Precision and free improvisation, the intensely graphic and beautifully painted, exquisite refinement of detail and pictorial force.” All in all, there is plenty in Peter G.-Ray’s work to sustain interest and wonder.
Our design-build exercises to date have all been conducted as “charrettes” of a week or less. In the case of the Bridge Gallery façade installation we had the added constraint of performing all of the work in a single day, including round trip transportation from Philadelphia, with materials and equipment fitting inside a mid-sized sedan.
Fortunately working conditions were absolutely perfect. The weather was very mild for late February. The trickiest part of the project was securing our work to the Bridge Gallery without permanently altering the existing marble façade. We accomplished this by working the head and a jamb of our frame into existing security gate hardware and bolting the base into the concrete sidewalk. Interest in our installation piece increased dramatically as the first aluminum panels were screwed onto the frame. (See “before” and installation photos below.)
Neighboring shop owners, tourists and random passersby stopped to ask us what was going on. We handed out quite a few postcards for Nothing to Fear during that Spring-like afternoon. As we finished up at dusk, Peter G.-Ray was quite pleased with results … the debut for both of us in NYC. Two days later, it snowed at the March 1st opening reception!
www.bridgegalleryny.com
